Lygia Clark – The Abandonment of Art, 1948–1988

Lygia Clark - The Abandonment of Art, 1948–1988 (5)

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Lygia Clark - The Abandonment of Art, 1948–1988 (2)

Lygia Clark - The Abandonment of Art, 1948–1988 (3)

Lygia Clark - The Abandonment of Art, 1948–1988 (4)

Lygia Clark - The Abandonment of Art, 1948–1988 (6)

Last chance! Lygia Clark: The Abandonment of Art closes this Sunday.

Lygia Clark: The Abandonment of Art, 1948–1988
May 10, 2014–August 24, 2014
Museum of Modern Art, NYC

From the press release:

The Museum of Modern Art’s major retrospective devoted to the art of Lygia Clark (Brazilian, 1920–1988) is the first comprehensive exhibition in North America of her work. On view from May 10 through August 24, 2014, Lygia Clark: The Abandonment of Art, 1948–1988 comprises nearly 300 works, ranging from the late 1940s to the early 1980s, including drawings, paintings, sculptures, and participatory works. Drawn from public and private collections, including MoMA’s own, this survey is organized around three key themes: abstraction, Neo-Concretism, and the “abandonment” of art. Each of these axes anchors a significant concept or a constellation of works that mark a definitive step in Clark’s career. While Clark’s legacy in Brazil is profound, this exhibition draws international attention to her work. By bringing together all parts of her radical production, the exhibition seeks to reinscribe her into current discourses of abstraction, participation, and a therapeutic art practice.

Lygia Clark trained in Rio de Janeiro and Paris from the late 1940s to the mid-1950s and was a leading abstract artist at the forefront of the Neo-Concretist movement in Brazil, fostering the active participation of spectators through her works. From the late 1960s through the 1970s she created a series of unconventional artworks in parallel to a lengthy psychoanalytic therapy, leading her to develop a series of therapeutic propositions grounded in art. Clark has become a major reference for contemporary artists dealing with the limits of conventional forms of art.



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