These prints from Jessica Harrison update a ceramic ideal of beauty.
A statement from the artist’s website:
Born in St Bees in 1982, Jessica moved to Scotland to study sculpture at Edinburgh College of Art in 2000, going on to do an MFA before completing a practice-led PhD in sculpture in 2013 funded by the Arts and Humanities Research Council.
Her research considers the relationship between interior and exterior spaces of the body, but looks neither inwards towards a hidden core, nor outwards from the subconscious, instead looking orthogonally across the skin to the movement of the body itself, using the surface of the body as a mode of both looking and thinking.
Moving beyond a bi-directional model, Harrison proposes a multi-directional and pervasive model of skin as a space in which body and world mingle. Working with this moving space between artist/maker and viewer, she draws on the active body in both making and interpreting sculpture to unravel imaginative touch and proprioceptive sensation in sculptural practice. In this way, Harrison re-describes the body in sculpture through the skin, offering an alternative way of thinking about the body beyond a binary tradition of inside and outside.